Next, I sketched out the entire scene, full size, on paper. Full size allowed me to blend entwine the branches, as I wanted the trees very close together, and allowed me to measure and gauge the relative positions of the trees--and to do it in pencil, with an eraser in hand. Finally, I transferred position marks to the fabric with water erasable pen.
Here is the third tree stitched and ready to have the paper removed, and the 5th tree in place ready for stitching.
Once the thread sketching is finished, the next step is to do the thread painting, but that will have to wait until the thread I ordered arrives. I tried to order it from my LQS, but, no luck and no stock and a bunch of attitude. I would prefer to support local stores, but sometimes they make it difficult.
I also have a preliminary picture of the latest Shibori piece. it is pieced and quilted,but no yet bound. I am very pleased with this, as I managed to do all of the quilting with no mares nests on the back of my piece.
And a close-up.
Prior to starting this, I had forgotten doing leaf prints over top of Shibori dyeing. I am very anxious to try more of this.
1 comment:
The blue shibori is beautiful!
I like how you show the process you go through to make a piece- all the work involved.
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