Yesterday, I had the opportunity to help set up a juried show of fine craft. The jury process is hard to understand. I've been told that, either the sponsoring organization, or the jury itself, usually has a vision of how a show can present a cohesive image or concept. Pieces are then selected on the basis of how they contribute to this image. I had trouble trying to figure out what that concept might have been with this show. The only answer I came up with was "variety", although, IMHO, the show itself was heavily weighted toward pottery. I suppose I'll never have an answer. I had applied for this show and was not selected. It's frustrating to know that my work is exhibited all across the USA through the travelling exhibitions of the Fiber Art Connection of Southern California, and across Canada through FAN, but has never been selected for a local show. Obviously, I'm doing something wrong. There are 6 fibre pieces in the show hung yesterday. and they are quite varied. Two quilted pieces, one of which is hand painted fabric, densly quilted, the other a raw edge applique piece organized into a triptych. There was a hand painted piece that had been hand embroidered, (very nice!), an embroidered piece that absolutely left me cold, and a three dimensional, hand crocheted and knitted piece that was downright weird, and could have used more technical skill.
I know that the two quilted pieces and the hand-painted embroidered piece were all made by people who tend to "follow their own star", so to speak--doing their own thing and exhibiting wherever and whenever they can. Perhaps I worry too much about local acceptance. Maybe I just need to try to produce the ideas that are in my brain. But if they are never seen, what have I gained by making them?
Thursday, October 1, 2009
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment