Started my class, and then spent two very full days doing the exercises. Didn't know that the supply list was available prior to the class starting, so had a bit of a jolt when I finally read it--about half an hour before class started. She has asked for several yards of clear fresh colours. Thank Goodness I knew what she meant, but that still didn't mean I had any in my stash. Nor did I have any money to buy them. So, I finally decided to use the stash of white cotton, and Procion dyes that I did have to create my own. So for the last two days and still at it today, I have spent the entire day, hour by hour, dying fabric--one dye bath at a time. I tried to be careful how much dye I used, as I always tend to use far too much and it ends up going down the drain. As a result most of the results were far to pale to be "bright and fresh'. Did those over again, but at least all that is costing me is my time, and a little dye. I did have to buy some prints--a large floral, a stripe and a tartan. The tartan was half price but still cost me $16.74/m, plus tax. It appeared to be the only tartan in the store, but after it was cut I found a few more. Not an issue as they were of such light weight, loosely woven fabric that they would have been useless. But, I've ended up using the best part of a full bolt I had of the white quilting cotton. I decided not to worry about that as it had been in the house for over two years, and I'd not used any of it before. I didn't worry about the dyes either, as they have been around for quite awhile--well past they're shelf life.
Here are some pictures of the exercises I posted on the class site.
First working with vertical lines.
Next working with horizontal lines.
Then adding vertical lines to the horizontal lines in the second picture. I rather like this one, and may consider working it into a pattern for a wall hanging. I already have yellow and purple fabric ( hand dyed!)
This last one is actually a full size pattern for a potential "modern" wall hanging, to be done in white, black and red.
So, yesterday evening, after a very busy day, as I was leaving the studio, I looked around at all of the hangings that I have on the wall. And gasped! While each was somewhat different, the fabric they were worked on was all exactly the same value--and in slightly different shades of grey/blue. The first word that sprang to mind was "Depression". I'm thinking that playing with the bright clear colours opened my mind to a different way of looking at cloth, and at how I could use it. This has bothered me ever since.
This afternoon was a meeting of the craft group I belong to, in a rural town close to where I live. Two of the ladies are good friends, and I spoke to them about the above. One of them then says "I've been trying to tell you that you had a problem with value for years". I know I have a problem within my work, generally, but I think the problem I noticed yesterday, is on a whole other level.
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